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・ International Tennis Hall of Fame Champions Cup
・ International Tennis Open
・ International Tennis Tour
・ International Tennis Tournament of Cortina
・ International Tent Pegging Federation
・ International Terminal railway station
・ International Terminal railway station, Brisbane
・ International TerraStar
・ International Terrestrial Reference System
・ International Test and Evaluation Association
・ International Test Commission
・ International Test of English Proficiency
・ International Textbook Company
・ International Textile Group
・ International Textile, Garment and Leather Workers' Federation
International Textiles
・ International Theatre Festival DEMOLUDY
・ International Theatre Festival of Kerala
・ International Theatre Institute
・ International Theatre Vienna
・ International Theological Commission
・ International Theological Institute
・ International Therapeutic Proteins
・ International Therapy Examination Council
・ International Theravada Buddhist Missionary University
・ International Thespian Festival
・ International Thespian Society
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・ International Thomas Merton Society
・ International Thomson Organization


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International Textiles : ウィキペディア英語版
International Textiles

''International Textiles'' (later ''The Ambassador'') was a British export magazine for textiles and fashion. It was published in Amsterdam by Pallas Studio established by Ludwig Katz and a Haarlem publishing house De Spaarnestad.
==Background==
The half-Jewish Ludwig Katz, former Advertising Manager of L. Schottlaender & Co (publishers of the textile periodical ''Der Konfektionär''), has fled with his family penniless to the Netherlands, after the periodical was "aryerized". Nevertheless his wide business contacts facilitated his establishment of Pallas Studio and helped him to launch ''International Textiles'' on 15 December 1933.
László Moholy-Nagy became the Art Director of the magazine, dictated the total format of ''International Textiles'' and brought to bear his wide range of elementary graphic devices and their agile permutation to direct the reader’s mind through forceful, clear, legible and fresh layouts. He relished the publisher’s new typeface, an important feature in regulating the tri-lingual text. His constant questioning of the page space and sequence, supported by judicious, visual contrasts, demonstrated how his commercial graphics were extensions to, rather than imitations of, his paintings and typophotos, but were similarly aimed at public enlightenment. With this periodical, published twice a month and read in over thirty-five countries, Moholy achieved his widest dissemination of the new typography, though anonymously.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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